Відео

I am very influenced by the sound of those years (the best for me) and love umek music at those times of course. 💣💥

Here is a remix around 2003 or 2004 🤔

Thank you! 💪Yes, alesis 3632🙂

💥💪

Ce serait génial mais pour l'instant uniquement en digital, c'est un gros investissement et je ne sais pas s'il y a autant de demande... Etes-vous toujours intéressé à apprendre le mc307 ? Je n'utilise pas beaucoup ces derniers temps, trop d'appareils et pas assez de temps... 😅

la 307 est super pour jouer de la techno avec des notes tribal et acide ! j'ai une mc303 depuis des années, elle le fait aussi. Dommage pour les vinyles, j'avais compris que tu en avait fait presser !

J'ai essayé le 303 et c'est très bien, la vérité c'est que j'ai un problème avec les machines, je les aime presque toutes et ça ne peut pas être... 😅 Concernant les vinyles, dans le temps qui s'écoule du démarrage d'une presse jusqu'à sa commercialisation définitive, j'ai déjà plusieurs nouvelles productions (et à mon avis meilleures). Pour moi, le DJing avec des vinyles est "the way", j'ai donc acheté un Rane SL et la vérité est que c'est très bien djing toutes les productions avec les Technics, même en faisant des tests et en les testant avant. Ce que je publie ne représente en réalité qu’une petite partie de ce que j’ai sauvegardé.

okey, oui il est difficile de cibler la bonne machine, il y'en en a tellement, et pareil pour le mix sur vinyle, il ne faut pas trop essayer d'être carré, car dans tout ca il faut laisser la place à l'improvisation, au jeu, et à la créativité dans l'instant T. Et je comprends le fait qu'entre temps on avance dans sa création, et que choisir des tracks à presser sur un disque peut être difficile !

en tout cas j'adore la vidéo du live avec l'mc 307, vraiment ca sonne techno comme j'aime, plusieurs fois après l'avoir regardée, je suis monté allumer les machines et jouer dans ce style là !!

Is old vinyl called "tiger trance the remixes" justin berkovi, ben sims, gary martin

@@JoshdLouxlee thank you !!! amazing mix

4x4 switchblade

It's obvious that you don't know how to mix two songs properly... 🤦

It just your mixing style. I find your mix fine, it's just I've always wondered what you guys are doing with those frequencies that justify such an intense pot tweaking lol. But it's alright, I really don't mind as long as the music's right. Anyhow, what ever works for you I suppose, and where ever your pleasure's at man...

Okay, I understand your point of view. I'm just going to tell you that a mix is ​​good (at least to me) when it is difficult to distinguish one track from the other (logically until the moment you pretend to) and one thing for achieve is making a lot of subtle changes in the equalization until you have the things where you want, compensating one side and the other but little by little, so that the listener barely get aware of it. Then there are other issues such as activating and deactivating fast the cueing of a record, just to verify that they are still in tempo or simulating a pitch correction without listener realize, etc. I don't want to extend too much so as not to bore you. I'm just trying to tell you that I don't make moves on a whim or to show off something. And yes, maybe I have my quirks, I don't like to leave my big hands resting on the table because you can touch something unwanted by mistake. I've been doing it since the late 90s and there are habits that I have picked up unconsciously. 🤷

​@@JoshdLouxlee Very interesting tho😮!! Didnt know about this, I also thought that was some dj show thing...

@@etzaiat3024 But need to look deep because there are also many of those today... 🤭

Nop

No!! 🤷‍♂️

Hi! I can not remember the name of the track right now but it's old primate recordings, Voiteck is the artist.

@@JoshdLouxlee Voiteck alias "TD5" track is Juvenile. Great one!

That's right!✨👏

Not too much info, is a bootleg

Hi, I don't understand exactly what your question is... 🤔 When you record any performance with a percussion patch on the rhythm track, it is automatically splitted to the group where it belongs and you just have to press the "rhythm mute" button and then you can independently mute its parts (bd, sd, hh, clp... .). Different thing is if you want to edit the individual sounds, that is not possible, if you change any parameter you'll modify all the sounds of the rhythm track at the same time. I hope I've helped. 🤷

@@JoshdLouxlee sorted :) I struggle with tr rec mode as in I select a kick then tap the steps and hear something else which is weird any tips there :) live record works fine

Right now I should refresh my memory because I haven't touched the mc307 in a few years... Have you checked the rhythmic scale before recording the steps? There is "scale" button that sets the scale. If it is not selected correctly, what you are telling me could happen...

I did and any of the 4 scales yields the same problem :( thx for helping and jogging your memory mate :)

And how do you do it on "real vinyl" when none of these tracks exist on vinyl because all are your own productions? 🤔 I wait for your answer.

There were home record cutting machines made around the 1940s-1950s. Most of them don't seem to work well nowadays due to age-related wear and tear, but you could try it if you want...

Not for me😆

And I still don't understand why a channel kill like the phono/line used to be used hasn't made it onto modern mixers....quite a loss really... shouldn't always have to slam the faders up and down to make cuts... A channel kill would be much more suitable sometimes@@JoshdLouxlee

True! But above all, the crossfader to be able to quickly change from one song to the other and the faders to make combinations quickly. I guess these rotary mixers are designed only to make linear and slow transitions, which is not critical, but it limits possibilities. 🤷

Of course, in fact, I was lucky enough to live in those late 90s and early 2000s techno parties and that is largely what motivated me to love techno music. 🙂

@@JoshdLouxlee i feel that, you are an original 🥂